Rob Jaiven
Instead of growing up and putting away his childish things, after years as a mathematician Rob quit the academic life, took those childish things out again and began his company. Suddenly in the early 1980's these childish things became fashionable and sought after. Cuckoo Comics & Collectibles continues to buy and sell the oldest, rarest and most desirable pieces of animation art. Rob also serves to educate collectors and is happy to answer questions and to talk about animation art with anyone who has an interest.
Latest posts by Rob Jaiven (see all)
- Sleeping Beauty Eyvind Earle - July 15, 2015
- Gerald Mc-Boing Boing - May 17, 2015
- Peter Pan - May 7, 2015
Night on Bald Mountain is the eighth segment of Walt Disney’s animated feature Fantasia. Fantasia was released by Walt Disney Productions in 1940. It was a never before seen combination of classical music and animation. The film was divided into eight segments. The most famous one probably is the Sorcerer’s Apprentice starring Mickey Mouse. Many consider the final segment, Night on Bald Mountain, to be the finest one of all.
Actually that last segment was Night on Bald Mountain dissolving into Ave Maria. I think the dazzling imagery combined with ghosts, demons, lost souls and the devil himself was probably a bit much to close the film. The serenity of Ave Maria was needed. But it is Night on Bald Mountain all viewers remember.
At Walpurgis Night (the Witches’ Sabbath), Chernabog, god of evil, emerges from the peak of Bald Mountain (in reality Mount Triglaf, near Kiev in southern Russia) to summon all of his minions. These include ghosts, demons, lost souls, hags and harpies, who dance furiously as he throws them into the mountain’s fiery pit. The spirits dance and fly through the air until driven back by the sound of an Angelus bell as night fades into dawn.
Demons, ghosts, lost souls, and harpies driven into the fire on Bald Mountain
Night on Bald Mountain was an orchestral work by the Russian composer Modest Mussorgsky that was completed in June 1867. The work had not been performed in public at the time of the composer’s death in 1881. It was revised by his colleagues and still later by other generations of composers and conductors most notably by Rimsky-Korsakov.